Liz Wells - Five Poems



ZIMBRA DORSIMBRA 

 

Armed with nothing really, ink & cold-pressed

paper, we’ll give what we’ve got when it’s time.

A villanelle, sweet rubaiyat unless

collateral damage impedes our deadline.

 

Morning shots at Velo Rouge

seems like Dada is born-again

out of found materials and genderqueers—

producing dissent instead of flesh.

 

War is a timeline, a spectrum of debt.

More than where we are, what matters is what

we make. If we didn’t write poems, then

we’d be doing nothing really, barren & cold-pressed.




SIGHTINGS

  

Threadbare ligaments that join muscle and flesh

tether my bones—both ankle and wrist

while throbbing cuvée aged exactly

a score plus four cools from outside in

like winter air under the door. 

 

This bodily response, although routine

I suppose, creates chaos beneath skin and renders

these red cells senseless. A smiling fist as if

threatening square teeth quickens vein traffic—

first hot then cold spoiling an ever delicate repose.

 

There was that time on the street,

us both tied to animals. Your pace was smooth

like the braided silk strands between where dog

and hand meet. You were in flight, a bird swallowing

air. Goldenrod under rust, I was deciding the color

of your hair.

 

I was calm when we passed and silently

I asked: Have you been where I have been? Laughing

in that paint-stripped chair? Only yesterday

I was there collecting mementos, eating my words,

and loudly pointing out the intolerably unfair.

 

I saw you from across the bar

adrift in a mass of recognizable faces, names

mostly unattached. They faded in and out,

their voices rising and falling, pulsing with the

vodka and coffee appetites of small town night life.

 

From the corner of your black-tipped eye,

you checked my gaze and I wavered,

unconnected to the floor, improvising

squeezing green glass while my infant tongue practiced

swallowing bubbles that fought their way down my closing throat.

 

I’ll never know whether your head has rested

on a fragrantly familiar bed, softened with love

almost made to last, or, skin that smells like soap I bought.

I am without a stake to claim while these sightings




FOX LIFE 

 

This fox jaw went slack like

a small, but able-bodied carnivore

feasting on the fleshy words

of its mate. My black-eyed sight

holds tight your familiar

frame. With horns at my hind,

I skipped a pace. On foot

and in heart. A tuft of dull red

wavered, windy and stick-straight,

but the galloping rhythm holds

steady. Fox-life without it

could prove to be deadly

for this chase and the next.

I’ve been outrun this time,

the prick of thistles at my chest.




MINERAL

  

Our boots stain the hardwood but no one takes offense.

Women wait & smoke cigarettes on the front stoop

sometimes rolling up their slacks to examine a prickly leg.

 

Heard them say snow in May is the poor man’s manure,

“where parrot tulips come from”

but none of us know if this is true.

 

Heard about the iron in the soil, the blood on her skirts.

It’s mud season and Hubbard Park is red

in anticipation of the rain, and we are hungry for dinner.




THE TWINS

  

The twins are blonde this summer,

hair amber as the poolside beer.

There is a cannonball

and then another. Companions

in cell-division, bath-time, and lacrosse

conjoined by an invisible part specific to neither

 

boy nor girl. They conspire in the deep end—

coordinate their play,

assign who will hold their breath,

who will wait, tread, count

pennies rusting

 

under water. They do not beg to be observed

aside a few backward glances:

the shallow end where one-pieced mothers

bronze, pages of Harlequin romances

turn under water-proof lashes.

 

One twin leaps

from the navy tiled ledge,

the other stands back,

observes, endures the splash.

 

He sinks

with force, his breath

kept still at the center of his body,

willing himself deeper

into the rift he cannot see.

 

She waits,

stroking baby fine fuzz

on her akimbo thigh—each hair

a quick-dry pin-prick of light

in midday heat hot enough

to conjure the arrival of her own sex.


-

Liz Wells is the author of a chapbook, Knuckle Deep, and a recent collection of poems, Corollaries of Leaving. She has been published by Contemporary Haibun Online, Pitkin Review, and Sans Merci.